《織作與身體的輪廓》在當代材料中構織文化 《Weaving the Body’s Outline:》 Crafting Culture through Contemporary Materials
糸島織物—鍾瓊儀 Eileen Chung (Mee.Textile)
螢光PVC線材 Fluorescent PVC thread
我的創作來自於編、染、織、結等傳統工藝技法的實作經驗，這些技法背後不僅蘊含文化脈絡，也蘊含著身體的記憶與勞動的節奏。對我而言，工藝並非單純的技巧重現，而是透過身體勞動所累積與感知的知識形式。
這次的作品以螢光PVC線材為媒介，讓色彩成為語言，在空間中延展為層層交疊的山脈形構。我透過雙手的牽引、重複與織結，將傳統技法的精神轉譯進當代材料之中，使這些動作不再只是技術的操作，而是一種對工藝、文化與環境意象的回應。
作品強調「身體在場」與「勞動的可見性」，自己與空間拉扯、構築的過程，將無形的文化線索具象化，也讓觀者得以穿梭其中，與空間共同編織感知的風景。
Grounded in the embodied practices of traditional techniques such as braiding, dyeing, weaving and knotting, my work draws upon the cultural context and physical memory embedded in craft. For me, making is not merely a reproduction of skill, but a form of knowledge shaped through labour and touch.
In this installation, fluorescent PVC threads serve as both material and language—unfolding into layered, mountain-like formations within space. Each strand is pulled, looped and interlaced by hand, translating the spirit of traditional methods into a contemporary vocabulary. These actions are no longer just technical operations, but a response to craft, culture and place.
The work foregrounds the presence of the body and the visibility of labour, tracing cultural threads into tangible form. As viewers move within and around the piece, they co-weave a landscape of perception—where movement, memory and material meet.
